Sandro Botticelli biography Essay Example | Topics and Well Written Essays - 1000 words

Sandro Botticelli biography - Essay ExampleThis can be seen in his origin commission Fortitude (1470), painted for the Merchants Guild in Florence. Despite this description of his painting style, he nevertheless produced difficult images with an excellent attention to detail and good use of persuasion though unlike many of that era he did not really concern himself with working out the exact details of either perspective or anatomy for that matter. This indifference with anatomy is one of the ways in which Bottacelli manages to produce the serene gauge in many of figures in his paintings.Through the influence of Verocchio and the brothers Pollajuoli this idealism was combined with the naturalness of Masaccio. These qualities explain Botticellis with child(p) influence over later painters. Botticellis life was a retired one passed largely in very underage circumstances. We k today, however that he was in the employ of the Medici and other prominent Florentine families from abou t 1483 to 1500. Although never prone to frivolity he was yet influence by the worldly spirit of the age until Savonarolas powerful bellyache to repentance aroused his moral nature and guided his powers, it now seems, into entirely new paths. He never knew how to take care of money and he died at last in need. Botticelli was too unassuming to indicate and date his works in most instances, so that the order in time of his paintings has to be judged from the canvasses themselves. In 1470 Sandro started own workshop. Five years later, he painted the portrait (National Gallery, Washington) of Giuliano de Medici, brother of Lorenzo. In about 1478, Sandro, now in the favor of the Medici family, painted the enigmatic Primavera (Spring) (Uffizi, Florence). The work was commissioned by Lorenzo, son of Pierfrancesco de Medici, a anguished and neurotic young man. The painting of Primavera- like La Nascita di Venere (The Birth of genus Venus) - was placed inside the Villa di Castello where L orenzino lived. From this painting, a piece of art historians have derived the iconography of the Florentine culture of Botticellis day. Agnolo Poliziano, poet and tutor of Lorenzo de Medicis sons (including Giovanni, future Pope Clemente X), with his lyric poems in which the roll teases nymphs in Arcadian woods, would appear to be the textual reference for Botticellis mythology (Vasari 44). Other famous works by Botticelli include Pallas and the Centaur, Venus and Mars, and The Birth of Venus. The figures certainly do not ordain a known myth but rather are used allegorically to illustrate conglomerate aspects of love in Pallas, the subjugation of male lust by female chastity in Venus and Mars, a celebration of womans calm triumph after mans sexual exhaustion and in The Birth of Venus, the endure of love in the world (Levey 103, 111).Whilst working for the Medici certainly conferred many rewards they were nevertheless a dangerous family to be round. The Renaissance, however, is not called that for nothing and along side the wars, killings and double dealings that punctuated that period was a real soul of a rebirth of ideas, science, art and philosophical thought. Key to this in Florence was the rediscovery of the philosophy of Plato, Aristotle, and Pythagoras, which fused together with any(prenominal) elements of eastern mysticism. This new philosophical ideal became known as Neoplatonism, which saw love, beauty,